Editing Poetry: ‘SAY IT OR DON’T SAY IT’ (via Writer’s Digest)

Click the link beneath the excerpt to read the full piece. He hits it on the nail!

As poet and Pulitzer nominee Clifford Brooks states below, “…just as it is crucial that a writer creates his or her own voice, the way we edit is also a matter of self-discovery.” I couldn’t agree more. I’m a true believer in the idea that no two poets create or edit the same way, nor should they, but here Clifford Brooks explains why the process of editing is as vital as getting the words down in the first place.

The process of editing poetry is a bare-knuckle brawl between good grammar and bad habits. Ham-fisting through my first book of verse (two volumes in one) The Draw of Broken Eyes & Whirling Metaphysics was a hard introduction into the relentless expectations of a poetic Fight Club. It was necessarily brutal, but like any art that requires intense, singular, obsessive attention to detail—be it heart surgery, classical guitar, a gun fight set dead-bang, or architecture—this is a process that gets into your DNA. The only other result is failure.

As I write my new book of poetry, Athena Departs, the process is less maddening. It’s still work—hard work—but where there were open wounds the first go-‘round, now it’s iron, intellectual musculature. I flex my whole self tense and then use my previous experience to write more deliberate, self-aware poetry.

I will not quote other writers, artists, or musicians concerning their editing wisdom. If you take this science of poetry seriously, you know all the famous quotes. I got into this turf war late in my 30’s and went without reading other Creators to make sure what I penned was mine without a shred of cross-contamination. In the event that you feel Art breathe through you as a force of spiritual frenzy as well as a financial means to an end, you are well aware the source of that blessing is beyond an academic map. Therefore, editing isn’t going to be found in a book or locked in some wordsmith with more mileage than you. No, just as it is crucial that a writer creates his or her own voice, the way we edit is also a matter of self-discovery.

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Links:

Writer’s Digest | Clifford Brooks

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